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Lucinda Williams was released by Rough Trade in 1988 to rave reviews from critics.
Kramer ferrington review professional#
Greg Kot wrote in the Chicago Tribune, "like the music, which drifts between the lonesome worlds of country and blues, the lyrics can't be pinned down: They speak of the ambivalence that shades love and loss." Release and reception Professional ratings Aggregate scores Robert Christgau, writing in The Village Voice, called it a blues record and remarked that Williams plays "joyously uncountrypolitan blues". With its synthesis of folk, rock, country blues, and Cajun music, Uncut magazine said it may be seen as one of the earliest records in the alternative country scene. We recognized that Lucinda was writing serious songs, but with the wit and humor of real rock'n'roll." Īccording to Spin magazine's Keith Harris, Lucinda Williams has since been classified as alternative country, while WFUV's Claudia Marshall called it a roots rock record that fuses country, blues, folk, and rock music. people said, 'It's too country for rock.' The Nashville people said, 'It's too rock for country.'" Rough Trade founder Geoff Travis said of signing Williams in 1987, "We were big fans of the Southern literary tradition. īefore Williams was signed by Rough Trade Records, she had struggled shopping her demo of the album: "The L.A. The album was produced by Williams, with Dusty Wakeman and Gurf Morlix, and features the first appearance of " Passionate Kisses", a song later recorded by Mary Chapin Carpenter for her album Come On Come On (1992), which garnered Williams her first Grammy Award for Best Country Song in 1994. Lucinda Williams is the third studio album by American singer-songwriter Lucinda Williams, released in 1988, by Rough Trade Records.Īn alternative country and roots rock record about the complexities of romantic relationships, Lucinda Williams was met with widespread critical acclaim upon release and has since been viewed as a leading work in the development of the Americana movement.
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Gurf Morlix, Dusty Wakeman, Lucinda Williams See the Ferrington Catalogs for more information.Alternative country, Americana, Blues, roots rock (see the ad below)A few months later, the heads, like the USA Kramer lines, were changed to the pointy/droopy variety and diamond inlays in the fretboard. Colors were black, white, red and cherry sunburst. These sported thin bound front and back bodies, off-round sound hole, bolt on maple necks, banana headstocks, rosewood fretboards, and a passive transducer pickup mounted on the bridge with a volume and tone control on the upper horn of the body. These guitars were heavily advertised by big names such as EVH and Dweezil Zappa.The 1st batch of Ferringtons were offered in 1986, the KFS-1(Strat shape and the KFT-1(Tele shape). The idea was to have an acoustic with the feel of an electric.
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Ferrington designed all of the models of the Kramer Ferrington lines and Kramer had the majority of them made in Korea. Chipboard case included$ 400.In 1985-86, Kramer began it's relationship with Danny Ferrington, the Nashville-based luthier who built several guitars for celebrities and, himself had became a reputable reputation for new designs of electric/acoustic guitars. Plays and sounds amazing plugged in or acoustic.